Hollywood's Abysmal 2024 in Numbers by 6ixStringJack

CINEMA

Hollywood's Abysmal 2024 in Numbers

POSTED BY: 6IXSTRINGJACK
UPDATED: Saturday, April 26, 2025 07:52
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VIEWED: 8693
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Monday, March 3, 2025 9:25 AM

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:
Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:
I didn't ask for a download link, nor did I ask what the name of the movie was.

If you've seen it, feel free to answer the question.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon
Your question was "Have you watched the Chinese movie that's at number 1? I'm wondering what a Billion Dollar Chinese movie looks like."

I wasn't even talking to you in the first place, so let's get that right out of the way from the start. I would never have a real conversation with you about anything because you are a piece of shit human being and I do not care what your opinion is on any topic.

I asked Jaynes if he has seen it. He tends to watch a lot of foreign films, and a lot of the time he watches foreign animated films.

Here in this moment, just as it's been every single moment of your life wherever you were, your presence is superfluous and not desired by anyone else.

Please shut the fuck up and see your way out of this conversation.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

Trump and his Trumptards ought to see themselves as living in the monkey house, throwing monkey poop and screeching at the humans who visit the zoo. You Trumptards could have avoided your limited lives inside a cage if only you had tried to be decent human beings. But decency was too much effort.

6ix, the locks will open from inside your enclosures, but you forgot how combination locks work and don't understand you live in a zoo. There is an entire world out there beyond the comprehension of monkeys and Trumptards.

Here is 6ix being a screeching Trumptard throwing his poop, a bitter old monkey, sick and longing for escape from his tiny cage:

http://fireflyfans.net/mthread.aspx?bid=18&tid=64887&mid=12133
60#1213360
Monday, March 3, 2025 1:34 AM

Quote:
Originally posted by 6ixStringJack:
There were also prominent Democrats that Zelensky was talking to before he saw Trump that were coaching him on how to tell Trump to go get fucked without looking to millions of people watching on TV like that was what he was doing.

But he's an actor playing a role on TV. He was an actor and entertainer before he was installed as the Ukrainian President. Supposedly even a comedian, although I don't believe that he was ever in the writers room or practiced improv comedy. He was there to play a role for many years now. And as long as everyone was sticking exactly to the script, he played it very well.

He still thought he was playing that role. He didn't realize that the movie he was working on got cancelled and he's currently unemployed.

Zelensky is the fake President of nothing.

Now that the unelected leaders of the EU are coming right out and pledging a ton of their citizens' money to keep a war going on when all Trump is talking about is peace, he's exposing all of them for what and who they really are.

And it's going to be even worse for them than it was Zelensky. At least with his acting background, Zelensky stood a chance in there. In theory he did, anyhow. Once he let Vance get under his skin so hard that Zelensky mumbled the Ukranian word for bitch under his breath like a little kid getting a detention in school for the entire world to see, it was all over.

These other leaders don't know how to act. And they're so out of touch with what The People want that it didn't even really matter if they did.

They're losing control of everything worldwide right now.

I don't know what's coming. But everything the way we knew it before is going to be going through some changes.

I wish I could say I was hopeful about that fact, but it's been my experience that things just always get worse over time, whether they're changing or they're staying the same as they ever were.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Monday, March 3, 2025 5:23 PM

6IXSTRINGJACK

Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:
Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:
I didn't ask for a download link, nor did I ask what the name of the movie was.

If you've seen it, feel free to answer the question.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon
Your question was "Have you watched the Chinese movie that's at number 1? I'm wondering what a Billion Dollar Chinese movie looks like."

I wasn't even talking to you in the first place, so let's get that right out of the way from the start. I would never have a real conversation with you about anything because you are a piece of shit human being and I do not care what your opinion is on any topic.

I asked Jaynes if he has seen it. He tends to watch a lot of foreign films, and a lot of the time he watches foreign animated films.

Here in this moment, just as it's been every single moment of your life wherever you were, your presence is superfluous and not desired by anyone else.

Please shut the fuck up and see your way out of this conversation.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon
Trump

Shut the fuck up.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Thursday, March 20, 2025 7:09 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:

Shut the fuck up.

Hollywood makes mostly movies for children and 6ixStringJack will never understand that. He thinks movies are made to offend crotchety Trumptards.

How The Electric State Author Reacted To The Netflix Movie’s Major Change In Tone Revealed By Joe Russo

“We felt like the message was the most important for the six- to 18-year-old range – that generation that's immersed in technology.”

https://screenrant.com/the-electric-state-tone-change-books-joe-russo-
response/

The movie was made for children, which explains why it was instantly forgettable. The Electric State, now on Netflix, is a $320 million adaptation of Simon Stalenhåg's graphic novel about a girl who, joined by an intelligent robot, searches for her brother across a retro-futuristic, dystopian America.

How to Make an Instantly Forgettable, Very Expensive Movie

The Russo brothers’ Avengers films took hold of popular culture, but the directors have yet to repeat that kind of success.

By Shirley Li | March 19, 2025, 10 AM ET

https://www.theatlantic.com/culture/archive/2025/03/the-electric-state
-netflix-budget-russo-brothers/682090/

Joe and Anthony Russo, better known as the Russo brothers, have enjoyed two of the most lucrative careers in Hollywood. The bulk of their success comes from the features they’ve co-directed for Marvel: Three of those projects, in which they helped turn comic-book characters into icons and “cinematic universes” into a standard practice, are among the 50 highest-grossing movies of all time. Two of them—Avengers: Infinity War and Avengers: Endgame—made more than $2 billion at the box office globally. Apart from James Cameron, they’re the only directors to have crossed that milestone at least twice.

Judging by their filmography since Endgame, though, it’s unlikely that the Russos will do so for a third time—at least, not without the Avengers. The astronomical budgets the pair have commanded over the past half decade have not yielded Hulk-size cultural footprints: Netflix, which began green-lighting expensive movies to help build its own franchises, stated that the Russos’ $200 million spy thriller The Gray Man topped its most-watched list for two weeks. But neither the film nor Ryan Gosling’s assassin protagonist has lingered in the public memory. Citadel, the Prime Video series the Russos produced, is one of the priciest shows ever made, at more than $300 million for its first season. Conceived by an Amazon executive, Citadel was meant to kick-start a “global franchise,” but it barely made an impression with viewers; in its first month of availability, the show never entered Nielsen’s Top 10 streaming rankings. Without Earth’s Mightiest Heroes, the Russos’ work has become formulaic and ephemeral. Ambitious studios, it seems, can’t simply buy their way into the zeitgeist.

Yet here the Russos are again, with another exorbitant attempt to establish a new blockbuster series. The Electric State, now on Netflix, is a $320 million adaptation of Simon Stalenhåg’s graphic novel about a girl who, joined by an intelligent robot, searches for her brother across a retro-futuristic, dystopian America. Some of that money has evidently been put to good use: The visual effects are seamless, the robot designs are genuinely cool, and the set dressing is meticulous. The cast, too, is stacked: Holly Hunter, Colman Domingo, and Brian Cox pop up. Their roles, though, are so absurdly small that they suggest heavy reshoots and excised footage.

Hollywood studios granting massive funds to directors who have made box-office hits is a common practice—especially for projects that appear likely to return on the investment. But the Russos have become unusually adept at demonstrating the creative limitations of those piles of cash. Companies have made clear their desire to generate fresh cinematic universes, and Stalenhåg’s book is an excellent starting point for an expansive film adaptation: His evocative artwork explores lands that practically beg to be rendered on the big screen, and his heroine’s quest is filled with pathos. Anthony Russo himself said, during a panel at New York Comic Con last October, that he and his brother were excited “to figure out what kind of story we can tell in this world.”

The story they tell, however, replaces the originality of Stalenhåg’s book with algorithm-friendly, inelegant slop. The Russos reduce the graphic novel’s haunting and macabre tale down to a clichéd battle between unethical humans and sentient machines, in which the latter tried to assert their rights and lost; it’s a generic good-versus-evil setup not unlike those found in The Gray Man and Citadel. Millie Bobby Brown—the closest thing Netflix has to an in-house star—plays Michelle, a teenager sympathetic to the automatons’ plight who rallies a group of misfits to dethrone a heartless tech mogul, Ethan (Stanley Tucci), who believes that humans and robots shouldn’t coexist. Ethan wants to give people the edge by hooking them up to the virtual-reality headsets he invented; Michelle would like everyone to log off and touch some grass.

What Michelle and Ethan do have in common is that they’re both one-dimensional archetypes with tragic backstories. The film around them is equally bland. The Electric State is so transparently eager to satisfy as many demographics of viewers as possible that it proves its own message: that a world dependent on business interests and technological optimization dulls artistic potential and human ingenuity. All that’s left is a wasteland of half-baked ideas searching for a home.

There’s a self-conscious streak to The Electric State that renders it inert from the start. The Russos populate the cast with big names (and Marvel standbys) such as Chris Pratt and Anthony Mackie, actors whose chemistry with each other almost distracts from the weak storytelling. Michelle resembles the protagonists of 2010s young-adult films, complete with pithy lines (“I have a condition where I can only live in reality,” she scoffs) and a signature hairdo. Each character is meant to be easy to root for or against, which forces them to be simplistic; Michelle’s ally Keats, lazily played by Pratt, is so underwritten that I’m surprised he even has a name. And many of the robots, despite how lifelike they look, have boring personalities. Woody Harrelson voices the Planters mascot, Mr. Peanut—further proof of the budget going toward procuring recognizable imagery—but the generic role stifles the actor’s eccentric charm.

As I watched The Electric State, I was reminded of other projects, good and bad: the philosophical musings of Blade Runner, the flashy incoherence of the Divergent films, the character design from the terrific horror video game Soma. The Russos were obviously influenced by Steven Spielberg’s output in particular, but what they’ve achieved is more akin to the much-maligned, reference-ridden Ready Player One than E.T. The directors had the money and incentive to strip popular works for parts—mimicking previous successes seems like a safe bet for attaining the widest possible appeal and the highest number of viewing minutes, the metric by which many streaming platforms assess how well their projects perform. But such choices leave the movie feeling too familiar, and it’s unable to build an identity of its own. Every intricately devised robot, every “Hey, it’s that guy!” actor, every closely replicated image from Stalenhåg’s graphic novel becomes nothing but window dressing.

Of course, even the most acclaimed filmmakers can fall victim to the constraints of corporate expectations. Barry Jenkins’s best efforts to enliven the Lion King prequel, Mufasa, couldn’t prevent it from feeling like a capital-p Product. Jenkins’s fellow Oscar winner Chloe Zhao similarly struggled to set Eternals apart from the rest of Marvel’s green-screen-heavy fare. The Russo brothers, meanwhile, are known for their past accomplishments with transforming movies into merchandising opportunities. But their latest entry into this costly genre is yet another embarrassment in a string of them, and similarly destined to be forgotten. The Electric State, with its predictable final shot teeing up a sequel, argues for a society that values togetherness and imagination. Yet the movie—under the guidance of its directors and producers—just can’t be bothered to do any of that imagining itself.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Thursday, March 20, 2025 1:41 PM

6IXSTRINGJACK

Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:

Shut the fuck up.
Hollywood makes mostly movies for children and 6ixStringJack will never understand that. He thinks movies are made to offend crotchety Trumptards.

I guess you'd know. You're the guy illegally downloading every one so you can fill your head with the trash.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Friday, March 28, 2025 7:21 AM

JAYNEZTOWN

Sonic The Hedgehog 3 Worldwide Box Office: Crosses $486M+, Becoming Jim Carrey’s Highest-Grossing Film Ever

https://www.koimoi.com/box-office/sonic-the-hedgehog-3-worldwide-box-o
ffice-crosses-486m-becoming-jim-carreys-highest-grossing-film-ever/

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Saturday, March 29, 2025 7:41 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:
Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:

Shut the fuck up.
Hollywood makes mostly movies for children and 6ixStringJack will never understand that. He thinks movies are made to offend crotchety Trumptards.

I guess you'd know. You're the guy illegally downloading every one so you can fill your head with the trash.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

90% of movies were crap before Trump was born. It was the law then and still is:

In 2013, philosopher Daniel Dennett championed Sturgeon's law as one of his seven tools for critical thinking. "90% of everything is crap. That is true, whether you are talking about physics, chemistry, evolutionary psychology, sociology, medicine – you name it – rock music, country western. 90% of everything is crap."

A 1946 essay Confessions of a Book Reviewer by George Orwell asserts about books: In much more than nine cases out of ten the only objectively truthful criticism would be "This book is worthless ..."

It came to him that [science fiction] is indeed ninety-percent crud, but that also – Eureka! – ninety-percent of everything is crud. All things – cars, books, cheeses, hairstyles, people, and pins are, to the expert and discerning eye, crud, except for the acceptable tithe which we each happen to like.

https://en.wikipedia.org/wiki/Sturgeon%27s_law

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Saturday, March 29, 2025 7:44 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Nicole Kidman’s New Prime Video Movie Is Like Don’t Worry Darling if It Made Even Less Sense

As a tiny train disappears down a dark tunnel, we hear their two voices in unison as they deliver the teeth-grindingly annoying final line: “Sometimes I wonder, was it even real?” (Was it all a dream? Nope. It was a crappy movie. 90% of all movies are crap.)

By Dana Stevens | March 28, 2025 2:27 PM

https://slate.com/culture/2025/03/holland-nicole-kidman-movie-prime-vi
deo-ending-explained.html

As a straight-to-streaming feature with big-name stars that’s barely been promoted by its own studio — Amazon declined to provide critics with screeners, and searching for the movie on Amazon the day it dropped, I had to type the title all the way down to the D — Holland exemplifies a depressing trend in the current entertainment industry. It appears to be relying on name recognition to garner an initial burst of curious viewers before word gets out about what a dud it is. Holland’s script had been kicking around Hollywood for nearly a decade before being picked up by Kidman’s production company. It should have kept on kicking. https://www.amazon.com/Holland-Mimi-Cave/dp/B0CTMPF2FD/

Free download https://psa.wf/movie/holland-2025/
Bittorrent Link: 3c8b5af641014b5f7c4646397ad8398e2265a621 Width : 1,280 pixels Height : 536 pixels
Bittorrent Link: 5c433c25b67f2b0e74ec88a4c28d8363b81bf444 Width : 1,920 pixels Height : 800 pixels

Metascore 42 out of 100
https://www.metacritic.com/movie/holland/

28% Tomatometer / 20% Popcornmeter
https://www.rottentomatoes.com/m/holland

https://www.the-numbers.com/movie/Holland-(2025)#tab=summary

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Sunday, March 30, 2025 11:56 AM

6IXSTRINGJACK

Everybody knows how to download shit for free in 2025. You are not special.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Sunday, April 20, 2025 7:25 PM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:
Everybody knows how to download shit for free in 2025. You are not special.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

But do they know that movie directors don't go to the cinema? Do they know that directors prefer to watch movies on TV, avoiding the theaters, the over-priced tickets, the long commute to theater, the smell of the crowd, the fake butter on popcorn?

David Cronenberg: ‘I Don’t Find the Cinema Experience All That Great’

In a conversation with Jim Jarmusch, the king of body horror explained why he's not particularly nostalgic about theatrical exhibition or celluloid film.

By Christian Zilko | April 20, 2025 12:00 pm

https://www.indiewire.com/news/general-news/david-cronenberg-doesnt-ca
re-about-movie-theaters-1235116842/

Don’t count David Cronenberg among the auteurs carrying the torch for theatrical exhibition. Speaking to Jim Jarmusch for Interview Magazine, the body horror legend explained that he doesn’t see communal movie-going as an inherently superior way to watch his films. https://www.interviewmagazine.com/film/david-cronenberg-by-jim-jarmusc
h

“I only see movies in real theaters every once in a while, mostly at film festivals, and I’ve found that the projection isn’t always so great,” Cronenberg said. “I remember being in Venice onstage with Spike Lee and some others. He was talking about the Cathedral of Cinema, the whole religious aspect of it. And I said, ‘Spike, I’m watching “Lawrence of Arabia” on my watch, and there are a thousand camels there. I can see every one of them.’ I was joking, but what I meant was, I don’t find the cinema experience all that great. Maybe it’s because I’m older. I don’t feel that communal thing.”

Cronenberg’s thoughts on technological evolutions in filmmaking and viewing are consistent with much of his filmography, which often deals with the need to embrace change or risk being left behind by nature. He expressed similar thoughts about celluloid film, saying that the convenience of working with digital cameras outweighs any visual benefits that might come from shooting on film

“I do find that people talking about streaming can be very passionate in the way that we were passionate in the movie theater after we saw a film. So it’s different, but I don’t think it’s worse,” he said. “I also don’t miss working with film. The cutting and editing was a nightmare for me. It was very restrictive. You have so much more control now. And of course, we are control freaks to a certain extent, if you’re making a film.”

Cronenberg’s latest film, “The Shrouds,” is now playing in theaters. The film, which follows a widower who processes his grief by placing his wife’s body in a live-streaming coffin, was labeled a Critic’s Pick by IndieWire’s David Ehrlich following its premiere at the 2024 Cannes Film Festival.

“Inspired by the loss of the director’s wife, ‘The Shrouds’ is a grief story as only David Cronenberg would ever think to shoot one,” IndieWire’s review read. “Sardonic, unsentimental, and often so cadaverously stiff that the film itself appears to be suffering from rigor mortis, as if its images died at some point along their brief journey from the projector to the screen. And really, what else would you expect?”

The Shrouds
https://www.metacritic.com/movie/the-shrouds/
https://www.boxofficemojo.com/title/tt20212786/
https://www.the-numbers.com/movie/Shrouds-The-(2024-Canada)#tab=summar
y

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Sunday, April 20, 2025 10:15 PM

6IXSTRINGJACK

Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:
Everybody knows how to download shit for free in 2025. You are not special.
But do they know that movie directors don't go to the cinema?

Unrelated. Irrelevant.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Monday, April 21, 2025 12:48 AM

6IXSTRINGJACK

Yanno though... Giving it a second glance, we've already had this stupid conversation before when you told me that James Cameron said something very similar.

Now... Truth be told, I wasn't able to actually dig up any pictures of what David Croninberg's home theater looks like, but you know full well it's pretty fucking decent, even if it ain't on the level of James Cameron's.

99% of the people don't have that at home. Hell... I bet a good number of them don't have any more square footage in their apartments than either man's home theater room.

This is just a complete non point you tried to made here, and I would have to imagine that it would only make sense inside the head of a rich white kid who still has no clue how anything in the real world actually works.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Thursday, April 24, 2025 6:26 PM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:
Yanno though... Giving it a second glance, we've already had this stupid conversation before when you told me that James Cameron said something very similar.

Now... Truth be told, I wasn't able to actually dig up any pictures of what David Croninberg's home theater looks like, but you know full well it's pretty fucking decent, even if it ain't on the level of James Cameron's.

99% of the people don't have that at home. Hell... I bet a good number of them don't have any more square footage in their apartments than either man's home theater room.

This is just a complete non point you tried to made here, and I would have to imagine that it would only make sense inside the head of a rich white kid who still has no clue how anything in the real world actually works.

You don't have to be rich to watch movies on Netflix. Factually, the less money you have, the more likely you will see the latest movies on TV, NOT IN THE THEATER. NETFLIX KNOWS THEY ARE DESTROYING HOLLYWOOD'S BOX OFFICE RECEIPTS.

Netflix CEO Ted Sarandos Says Movie Theater Model Is ‘Outdated’: ‘Most of the Country’ Cannot ‘Walk to a Multiplex’

By Ethan Shenfeld | Apr 24, 2025 8:50am PT

https://variety.com/2025/film/news/netflix-ceo-ted-sarandos-movie-thea
ters-outdated-1236376565/

Ted Sarandos‘ latest interview started with a softball question: “Have you destroyed Hollywood?”

“No, we’re saving Hollywood,” the Netflix co-CEO replied with a smile. FOR 6IX: The Netflix CEO knows that is a lie.

On Wednesday in New York, Sarandos engaged in a brief discussion with Time magazine editor-in-chief Sam Jacobs at the Time100 Summit. The two jumped right into the problems plaguing Hollywood and why Netflix is succeeding amidst production decreases, dwindling box office numbers and an industry in contraction.

“Netflix is a very consumer-focused company,” Sarandos said. “We really do care that we deliver the program to you in a way you want to watch it.”

Using the struggling global box office as an example, Sarandos added, “What does that say? What is the consumer trying to tell us? That they’d like to watch movies at home, thank you. The studios and the theaters are duking it out over trying to preserve this 45-day window that is completely out of step with the consumer experience of just loving a movie.”

I've been scanning for an article that says the obvious:

Quote:
“Folks grew up thinking, ‘I want to make movies on a gigantic screen and have strangers watch them [and to have them] play in the theater for two months and people cry and sold-out shows … It’s an outdated concept.”

Asked specifically if the desire of filmmakers wanting to make movies “for movie theaters, for the communal experience” is “an outmoded idea,” Sarandos said, “I think it is — for most people, not for everybody. If you’re fortunate to live enough in Manhattan, and you can walk to a multiplex and see a movie, that’s fantastic. Most of the country cannot.”

Netflix's annual revenue for 2024 was $39.001B, a 15.65% increase from 2023. Netflix's annual revenue for 2023 was $33.723B, a 6.67% increase from 2022. Netflix's annual revenue for 2022 was $31.616B, a 6.46% increase from 2021.

What are Hollywood's revenues? In 2024, the domestic box office revenue in the United States and Canada reached $8.75 billion, a decrease of 3% compared to the $8.91 billion in 2023. This domestic revenue was also lower than the $9 billion in 2023. The global box office revenue for 2024 was about $32.3 billion, a 3% decrease compared to 2023's $33.9 billion.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Friday, April 25, 2025 1:09 PM

6IXSTRINGJACK

Quote:
Originally posted by second:
Quote:
Originally posted by 6ixStringJack:
Yanno though... Giving it a second glance, we've already had this stupid conversation before when you told me that James Cameron said something very similar.

Now... Truth be told, I wasn't able to actually dig up any pictures of what David Croninberg's home theater looks like, but you know full well it's pretty fucking decent, even if it ain't on the level of James Cameron's.

99% of the people don't have that at home. Hell... I bet a good number of them don't have any more square footage in their apartments than either man's home theater room.

This is just a complete non point you tried to made here, and I would have to imagine that it would only make sense inside the head of a rich white kid who still has no clue how anything in the real world actually works.
You don't have to be rich to watch movies on Netflix.

Completely besides the point.

--------------------------------------------------

"I don't find this stuff amusing anymore." ~Paul Simon

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Saturday, April 26, 2025 7:52 AM

SECOND

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

Quote:
Originally posted by 6ixStringJack:

Completely besides the point.

In a few words: your point is that Hollywood movie ticket sales are poor because movies are too woke. My point is that sales are poor because tickets are expensive, while the same film is on TV for free.

The prediction from 2005 is coming true: Hollywood’s Death Spiral, Part 2
Are movie theaters facing extinction?
By Edward Jay Epstein | Aug 01, 2005 9:13 AM
https://slate.com/culture/2005/08/hollywood-s-death-spiral-part-2.html

Quote:
Back in the 1940s, when studios owned the movie houses and television was not yet available, more than 60 percent of the population went to the movies every week. Today, about 9 percent of the population goes. Just as the movie houses replaced vaudeville houses, home theaters with high-definition television could replace the multiplexes if the death spiral continues.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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