Makes her a home
Wednesday, January 17, 2007

Back to my roots: River. :) I always wanted to do this theme. It depicts how Serenity became a home for River. (Extended Commentary below).



Wednesday, January 17, 2007 11:12 AM


It's very simple; it just consists of 4 panels, as it were. The first one is of River, in the Train Job, when she just came onboard and realizes she isn't at home. For the other 3, I went (for the artistic effect) rather literal; they show how, during her time onboard, River, in true River style, even established a tactile rapport with the ship. River going up the stairs stands symbol, of course, for River's progress aboard Mal's boat.

The pink-ish colors are meant to be reminiscent of the scene where she first came out of her box (but I already used that scene in one of my other works; so, x-nay on the reuse; though I had no issue with evoking the memory to that scene, lol).

The Train Job panel is "greyed out", as it were, and marked red, as, by the end of Objects in Space, it no longer applies. Which, last but not least, brings me to the title: "Makes her a home." From Mal's famous Love speech; here kinda used in double-entendre; as in: "Makes (for) her a home."

Wednesday, January 17, 2007 3:36 PM


this is great--in all its simplistic glory! Good job.

Wednesday, January 17, 2007 6:48 PM


Brilliant bit of jiggery-pokery you've done here, asarian! Definitely sells the message about River, her standing amongst the crew and how the ship's home;D


Thursday, January 18, 2007 3:36 AM


I think Iv'e saved about a thousand pictures of Firefly. I'm always impressed with the efforts and the results. Lots of talented Browncoats out there. This one is excellent!

These new images that are continually being created help keep Firefly fresh and alive on many different levels.


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"He takes so much looking after."
The title really says it all. This is River, deeply happy for her brother and the way things turned out. This is "I'm all right." at its finest hour.

N.B. A improved redo of an earlier work. I removed the text balloon, and significantly cleaned up the 'embrace' scene and various other small changes and fixes.

P.S. Right-click and 'save' to get the original-size image.

Going Dark
"Going Dark" tells the story of Kaylee getting shot. Like an eclipsed sun, there's Dobson's bullet, frozem in mid air, as 'seen' by Kaylee, who walks into the cargo bay at the wrong time. I accentuated Kaylee's stomach wound, but it's the only graphic element in the entire image. In fact, most everything else is purposely opposite to bad stuff; it's all dream-like, sweet, with pretty flowers, butterflies, and even one of River's pink elephants shows up for the occasion (from the unshot episode 'Dead or Alive'). No nightmares for Kaylee, no bad conscience visiting upon her, no worries even: you just gotta have faith in people, yourself included. (Extended Commentary below)

A Hot Summer Night
in the same vein as piratenews has been posting.

Twilight Fancies
Kaylee, half passed out, drifting in and out to a faerie-like dream land. It's a bit different. And it's a bit shippy (but in an unsullied way: just some harmless swooning on the part of our fav' mechanic). Not an overly complex image. But I played a lot with the lighting, and I'm now fair content with the the dream-state like properties it's breathing. After all these years, it really does get harder creating new and undone themes. All-in-all, I set out what I wanted to do.

The Firefly / Mass Effect Comic!
A while back, playing Mass Effect, I suddenly got this hilarious idea for a Mass Effect comic, based on Firefly! :) So, I proudly present to you The Firefly / Mass Effect Comic! It's basically Mass Effect pictures with Firefly text! Of course, to get the full experience, you gots to be familiar with Mass Effect. See below for all episodes.

"Dear and fluffy Lord," The Interview
After the BSR went down, last year, I also lost my very first fanvid. I'm still liking it, though; so, here it's back (Extended Commentary below).

RESTORATION PROJECT, Item Nr. 5 -- "Time to wake up!"
This was originally a very simple image. Still is. :) But right after first posting it, I suddenly realized I could do something else with it: I could overlay a silhouette of "River looking at Mal", from the end of the BDM, at the near exact edge of where her hairline meets her face. See for the idea. Also, the purple title above the middle text (Evanescence) had thrown the image off-balance a bit. So, to restore equilibrium, I added a faint purple text underneath, saying "I love my Captain." All non-shippy, of course (more like the hero worship we talked about earlier today). Original Text below.

RESTORATION PROJECT, Item Nr. 4 -- "Noah's Ark is a problem."
In the ongoing spirit of "If you can't do something artistic, redo something artistic," I redid this River piece. Made around the same time of "I can win this!", the blending was not perfect yet. I especially had to redo the blending on the front of her dress, which was way too transparent near the edge. I didn't have the original layered version any more, so I had grab a new still and figure out what scaling factor I had initually used. But it's really much better now, IMHO. (Original Text below)

RESTORATION PROJECT, Item Nr. 3 -- "I can win this!"
One of my earliest works; from my "Now I'm learning about blending." phase. :) It was our very own PhoenixRose who, soon thereafter, taught me various shiny blending/blurring techniques, I significantly cleaned up the marble, as well as the background that had all manner of background noise in the black: great for Out of Gas, but for art, not so much. :) (Original Text below)

RESTORATION PROJECT, Item Nr. 2 -- "I didn't think you'd come for me."
Most like my second best work. :) Apart from rounding up the usual suspects, such as transparency errors, this picture differs from the one I originally posted at, in that I edited out Simon's hand on the elevator door, and smoothed out the area where the window post and the River-in-elevator-shaft meet. (Original Text below)